News
Dallas’ Talley Dunn Gallery responded to a troubled year by creating a bold new program
Dallas Morning News covered the inaugural Talley Dunn Gallery Equity in the Arts Fellowship Exhibition.
Read more here.
Two Dallas art exhibitions humanize immigration controversies
Scott Cantrell of Dallas Morning News reviews Arely Morales’ first exhibition at Talley Dunn Gallery, which honors the labor and experience of people in her community. Read more here.
Intimate Dallas gallery provides unusual treat of artist Leonardo Drew’s work without the crowds
Benjamn Lima from the Dallas Morning News reviews Leonardo Drew’s third solo exhibition at Talley Dunn Gallery. Read more here.
Gabriel Dawe: Joan Mitchell Foundation 2020 Painters & Sculptors Grant Recipient
Gabriel Dawe received the 2020 Joan Mitchell Foundation Painters & Sculptors Grant, which provides 25 artists with $25,000 each in unrestricted funds. This is a tremendous honor. Read more here.
Talley Dunn Gallery launches fellowship to help artists of color navigate the art world
Darryl Ratcliff covers the Talley Dunn Gallery Equity in the Arts Fellowship for the Dallas Morning News. Read the article here.
“Le Système des Objets”: Francesca Fuchs’ Paintings and Mugs at Talley Dunn Gallery
Michael Frank Blair of Glasstire writes about Francesca Fuchs’ recent exhibition, Painting and Mugs. Read the review here.
The History House: A Conversation With Nida Bangash
Nida Bangash sat down with Colette Copland of Glasstire to discuss her latest exhibition, The History House. Read the interview here.
Literary Paintings Foreshadow an Apocalyptic Future
Hyperallergic covers Robyn O’Neil’s WE, THE MASSES. Read the review here.
Nida Bangash’s exhibition at Talley Dunn Gallery explores the heavy load borne by women of color
Darryl Ratcliff of Dallas Morning News reviews Nida Bangash’s latest exhibition, The History House. Read the review here.
Joseph Glasco’s Bold Lines is Number One in Glasstire’s Top Five
Christina Rees and Brandon Zech talk the top five Texas shows to see in fall 2019, and Joseph Glasco’s exhibition at Tyler Art Museum is number one. Read the review here.
Leonardo Drew Rides His Magic Carpet to a New Field
of The New York Times covers Leonardo Drew’s outdoor sculpture in Madison Square Park. Read the article here.
Robyn O’Neil’s First Major Museum Show Exudes a Sense of Dread and Wonder
A review of Robyn O’Neil’s twenty-year survey at the Modern Museum of Art. Read the review here.
The Deep Dark Waters Overcome Us: Robyn O’Neil’s “WE, THE MASSES”
Christopher Blay of Glasstire reviews Robyn O’Neil’s twenty-year survey–Robyn O’Neil: WE, THE MASSES–at the Modern Museum of Fort Worth.
Read the review here.
‘Xiaoze Xie: Objects of Evidence’ Challenges Censorship in China
Jessica Holmes of Hyperallergic discusses Xiaoze Xie: Objects of Evidence, on view at Asia Society New York . Read the review here.
Two Major Sculptures land at UT Southwestern through Talley Dunn Gallery and Nobel Laureate Dr. Joseph L. Goldstein
Talley Dunn Gallery, along with Dr. Joseph L. Goldstein, install sculptures by Joel Shapiro and Ursula von Rydingsvard at UT Southwestern. Learn more here.
Suggesting the Eternal: Francesca Fuchs at the Galveston Art Center
Suggesting the Eternal: Francesca Fuchs at the Galveston Art Center
A review of Francesca Fuchs’s solo exhibition at the Galveston Arts Center in Arts and Culture Texas. Read the review here.
Anila Quayyum Agha’s Itinerant Shadows
Anila Quayyum Agha’s Itinerant Shadows
Critic Patricia Mora reviews Anila Quayyum Agha’s first exhibition with Talley Dunn Gallery for Glasstire.
Amy Myers Awarded Pollock-Krasner Foundation Grant
‘Perilous Bodies’ featured in The New York Times
‘Perilous Bodies’ featured in The New York Times
The Ford Foundation Gallery’s inaugural exhibition Perilous Bodies features work by Talley Dunn Gallery artist Margarita Cabrera. The New York Times featured the exhibition in the article “What to See Right Now,” by Will Heinrich. Read the full review here.
Rage with the Machine
Rage with the Machine
Natasha Bowdoin’s exhibition Sideways to the Sun inspires costumes for performance artist Matthew Flower (aka Machine Dazzle). Read full story here.