Breaking Ground:

A Transformative Project with Joel Shapiro, Ursula Von Rydingsvard, Christopher Wool, Elmgreen & Dragset, Claes Oldenburg and Coosje van Bruggen, Joseph Havel, Ugo Rondinone, Giuseppe Penone, Leonardo Drew, and Roxy Paine. 
June 6th – August 29th
Open House Saturday, June 13th, 1-5pm
Talley Dunn Gallery
Giuseppe Penone Corpo di pietra – rami, 2016, White Carrara marble, bronze, graphite frottage on wall, 53 15/16h x 40 3/8w x 10 1/4d inches
 

BREAKING GROUND: A Transformative Project

Curated by Talley Dunn, Celebrating the Artists, Vision, and Relationships Behind the Creation of the Sculpture Garden on Seldin Plaza at the University of Texas Southwestern Medical Center

Talley Dunn Gallery is pleased to announce Breaking Ground: A Transformative Project, an exhibition that brings together artists Joel Shapiro, Ursula Von Rydingsvard, Christopher Wool, Elmgreen & Dragset, Claes Oldenburg and Coosje van Bruggen, Joseph Havel, Ugo Rondinone, Giuseppe Penone, Leonardo Drew, and Roxy Paine, whose work has been permanently installed on the University of Texas Southwestern Medical Center campus, reflecting the philanthropic support of an individual donor. Organized in collaboration with the participating artists and their estates, the exhibition presents selected works and celebrates nearly a decade of extraordinary partnerships and relationships that shaped the Dr. Joseph L. Goldstein Sculpture Garden at the Donald Seldin Plaza in Dallas and helped establish it as a significant landmark for modern and contemporary sculpture in North Texas.

Joel Shapiro
untitled, 1986
Bronze
40 1/2h x 72 7/8w x 14d inches
 
Joel Shapiro
untitled, 1992
Chalk, charcoal, and pastel on paper
30 1/2h x 23w inches
Presented at Talley Dunn Gallery, Breaking Ground offers a unique opportunity to engage with the broader practices of artists whose monumental outdoor sculptures form the foundation of the Dr. Goldstein Sculpture Garden at UTSW. Featuring a carefully selected group of works, the exhibition creates a dialogue between public installations and a range of sculptures, drawings, paintings, and mixed-media works, revealing the ideas, processes, and material investigations that inform each artist’s practice. By bringing these works into the gallery, the exhibition invites closer consideration of their formal, material, and conceptual concerns and offers a new perspective on works typically encountered in public space.
Ugo Rondinone
brickfielder, 2025
Driftwood, canvas, paint
27h x 34 5/8w x 2 3/4d inches
Ugo Rondinone
siebterjunizweitausendf nfundzwanzig, 2025
Watercolor on canvas, artist’s frame
13 1/2h x 19 1/2w inches

Gathering these artists together in a gallery setting, Breaking Ground extends the dialogue initiated at UTSW and showcases a range of sculptural practices developed over several decades. This is the first time these artists have been presented together in this context, underscoring both the caliber of artists engaged through the UTSW initiative and the project’s significance in the Dallas cultural landscape.

Christopher Wool
Untitled, 2022
Copper-plated bronze
37 1/2 x 60 x 16 inches
(95.3 x 152.4 x 40.6 cm)

© Christopher Wool. Photo: Farzad Owrang

As curatorial advisor, Talley Dunn has played a central role in its development, fostering relationships among the artists, their estates, and UT Southwestern. The exhibition reflects the deep respect and admiration many of these artists hold for a remarkable patron Dr. Goldstein and celebrates the collaborative spirit that shaped the sculpture garden. The works in the exhibition were personally selected by the participating artists and estates in recognition of their permanent sculptures at UTSW and their participation in the broader initiative. Their participation underscores the personal investment that distinguishes this project and signals what the gallery hopes will be the first of many future collaborations.

Ursula Von Rydingsvard
DLA MOJEGO SWUT KIEGO PAWTEKA UD URSZULI, 2002-2021
Cedar and graphite
36h x 19w x 7d in
Ursula Von Rydingsvard
Osiem II, 2016
Cedar and graphite
34h x 36w x 6d in
Ursula Von Rydingsvard
Osiem II, 2016
Cedar and graphite
34h x 36w x 6d in
Ursula Von Rydingsvard
Osiem II, 2016
Cedar and graphite
34h x 36w x 6d in

Breaking Ground honors UT Southwestern’s remarkable collection of outdoor public sculpture, including ten major works by twelve internationally recognized artists, made possible by the ongoing philanthropic support of Nobel Laureate Dr. Joseph L. Goldstein.

Roxy Paine
Chart, 2024
Thermoset polymer, epoxy, resin, aluminum, stainless steel, lacquer, vinyl paint, wool fibers and oil paint
75 3/4h x 130w x 10d inches

The exhibition features works by artists active from the late twentieth century to the present, marking the culmination of an extraordinary chapter of collaboration among artists, estates, patrons, UTSW, and Talley Dunn Gallery, and points toward future partnerships while celebrating the relationships and shared vision that made it possible to create a world-class sculpture collection at UTSW.

Leonardo Drew
Number 246T, 2023
Mixed media
72h x 72w x 25d in
The works engage modes of inquiry often associated with scientific thought, shaping distinct approaches to form, materiality, and process. Working across materials such as painted aluminum, bronze, stone, steel, and copper, the artists produce works through observation and experimentation, shifting between abstraction and representation and continually redefining sculpture as both object and environment.

Elmgreen & Dragset
Lifesaver, 2019
Marble, aluminum
29 1/8h x 29 1/8w x 4 3/4d inches
AP 1 of 1
Elmgreen & Dragset
Toronto – Los Angeles (1:2), 2025
Stainless steel and oil paint
35 3/8h x 35 3/8w x 1d inches
Central to the exhibition is an exploration of the works’ performative qualities and the ways they are experienced and navigated in public space. Whether through the gravity-defying balance of Rondinone’s and Havel’s stacked forms, Oldenburg and van Bruggen’s playful transformation of everyday objects, Drew’s materially dense accumulations, Shapiro’s abstract geometric language, or the architectonic interventions of Elmgreen & Dragset, each work proposes a distinct relationship between permanence and change over time in both natural and built environments.

Claes Oldenburg and Coosje van Bruggen
Study for Plantoir, Jardin des Tuileries, Paris, 1999
Pencil, colored pencil, watercolor
12h x 9 3/4w in
Claes Oldenburg and Coosje van Bruggen
Notebook Page: Studies of Plantoirs, 1999
Pencil, ballpoint pen and watercolor
11h x 8 1/2w inches
Claes Oldenburg and Coosje van Bruggen
Plantoir – Elevations, 2000
Pencil and colored pencil
40h x 30w inches
Claes Oldenburg
Maquette for Plantoir (blue), 2020
Painted epoxy resin
25 3/4h x 12w x 12d inches
Edition 1 of 2 (blue)
The exhibition also explores the dialogue between natural and constructed systems. In the work of Penone and von Rydingsvard, organic forms are rearticulated through carving, casting, and accumulation, while Paine’s branching structures translate biological models into industrial materials. Across these practices, sculpture holds natural growth and human intervention in productive tension.

Joseph Havel
Sinking Prayer Book, 2016-2017
Bronze, polyurethane resin, balsa and graphite
27 3/4h x 12w x 11 1/4d in
Joseph Havel
White Curtains, 2001-2002
Bronze, unique
97h x 37w x 25d in
ARTISTS

Joel Shapiro ( b. 1941 – d. 2025 New York, New York)

Ursula von Rydingsvard (b.1942 Deesen, Germany; lives and works in Brooklyn, New York)

Christopher Wool (b. 1955 Chicago, Illinois : lives and works in New York and Marfa, Texas)

Micheal Elmgreen (b.1961 Copenhagen, Denmark; lives and works in Berlin, Germany)

Ingar Dragset (b. Trondiem, Norway; lives and works in Berlin, Germany)

Claes Oldenburg (b. 1929 Stockholm, Sweden – d. 2022 New York, New York)

Coosje, Van Bruggen (b.1947 Groninngen, Netherlands – d. 2009 New York, New York)

Giuseppe Penone (b. 1947 Garessio, Italy; lives and works in Turin, Italy)

Ugo Rondinone (b. 1964 Brunnen, Switzerland; lives and works in New York, New York)

Joseph Havel (b. 1954 Minneapolis, Minnesota; lives and works in Paris and Menerbes, France and Houston, Texas)

Leonardo Drew (b. 1961 Tallahassee. Florida; lives and works in New York, New York and Uvalde, Texas)

Roxy Paine (b. 1966 New York, New York; lives and works in Red Lodge, Montana)

About the Exhibition

Breaking Ground: A Transformative Project brings together works by artists whose permanent outdoor sculptures form the cornerstone of the University of Texas Southwestern Medical Center’s sculpture garden. Curated by Talley Dunn, the exhibition reflects the relationships developed through nearly a decade of acquisitions and installations and celebrates the transformative impact of art, philanthropy, and institutional partnership.

Breaking Ground runs concurrently with Roxy Paine’s exhibition, Overgrown Neuron.